The Foundation of Literature
A classic is a book that has never finished saying what it has to say. These are the works that have survived centuries of fashion and change because they speak to something eternal in the human condition. They are the common language of our culture.
Reading the classics is not homework; it is a conversation with the greatest minds who ever lived. Whether it is the sharp social satire of Jane Austen or the tragic romance of the Brontës, these books offer a window into the past that illuminates our present.

In Search of Lost Time
by Marcel Proust
The ultimate exploration of memory, time, and art. Proust's monumental cathedral of words dissects the human condition with microscopic precision. The novel follows the narrator's life from childhood in the village of Combray to adulthood in the glittering salons of Parisian society, exploring themes of love, jealousy, and the passage of time. At its heart is the concept of 'involuntary memory'—most famously illustrated by the 'madeleine moment,' where the taste of a cake dipped in tea unlocks a vast, detailed recollection of the past. Proust argues that the past is never truly dead; it lives on in our sensations and can be recaptured through art. The novel is a race against time itself, as the narrator seeks to fix his life in words before it fades into oblivion.
The Catcher in the Rye
by J. D. Salinger
The iconic odyssey of teenage rebellion. Holden Caulfield's voice—cynical yet deeply vulnerable—rails against the 'phoniness' of the adult world while secretly yearning for connection and innocence. After being expelled from yet another prep school, Holden wanders through New York City for a few days, encountering nuns, tourists, former teachers, and prostitutes. Beneath his sarcastic veneer lies a deep well of grief over the death of his younger brother, Allie. Holden's fantasy of being the 'catcher in the rye'—someone who catches children before they fall off a cliff into adulthood—reveals his desperate desire to protect innocence from the corruption of the grown-up world. It is a story of alienation, mental collapse, and the painful process of growing up.

Nineteen Eighty Four
by George Orwell
Orwell's nightmare vision of a totalitarian future where Big Brother is always watching. Set in Airstrip One (formerly Great Britain), the novel follows Winston Smith, a low-ranking member of the Party who works at the Ministry of Truth, rewriting history to fit the state's current propaganda. Winston commits the ultimate crime: he thinks for himself, keeping a secret diary and falling in love with a woman named Julia. The novel paints a terrifying picture of a world where the state controls not just your actions, but your thoughts. Through concepts like 'Newspeak' (language designed to limit thought) and 'Doublethink' (holding two contradictory beliefs simultaneously), Orwell shows how power can destroy the very concept of objective truth. The story culminates in the infamous Room 101, where Winston is forced to confront his worst fear.

Don Quixote
by Miguel de Cervantes
The book that invented the modern novel. What begins as a slapstick satire of chivalry evolves into a profound meditation on the power of dreams and the nature of reality. Alonso Quixano, an aging gentleman, reads so many books about knights that he loses his mind and decides to become one. Renaming himself Don Quixote, he recruits a simple farmer named Sancho Panza as his squire and sets out to right wrongs. The novel is built on the contrast between Quixote's idealism (he sees windmills as giants) and Sancho's realism (he sees them as windmills). As their journey continues, the two characters influence each other: Quixote becomes more grounded, and Sancho becomes more of a dreamer. It is a story about the friendship that bridges the gap between who we are and who we want to be.

Crime and Punishment
by Fyodor Dostoevsky
A psychological thriller that predates the genre. The novel follows Rodion Raskolnikov, an impoverished former student in St. Petersburg who formulates a theory that 'extraordinary' men have the right to commit crimes for the greater good. To test this theory, he brutally murders an unscrupulous pawnbroker and her sister. The act itself is just the beginning. The rest of the novel is a harrowing journey through Raskolnikov's psyche as he is consumed by paranoia, guilt, and a cat-and-mouse game with the astute detective Porfiry Petrovich. It is a claustrophobic exploration of the human soul under the weight of its own conscience, asking whether redemption is possible for the irredeemable.

Pride and Prejudice
by Jane Austen
A razor-sharp social satire disguised in silk. The novel centers on the Bennet family, specifically the second eldest daughter, Elizabeth, who faces pressure to marry for financial security. When the wealthy and aloof Mr. Darcy arrives in the neighborhood, he and Elizabeth clash instantly. What follows is the most famous courtship in literature, a battle of wits where both characters must overcome their own flaws—her prejudice and his pride—to find happiness. Austen uses this romantic framework to critique the rigid class structure of Regency England and the limited options available to women. It is a comedy of manners that is as biting as it is charming.

Wuthering Heights
by Emily Brontë
A love story closer to a horror story. On the savage, wind-battered moors of Yorkshire, the foundling Heathcliff and the wild Catherine Earnshaw share a bond that is primal, violent, and utterly destructive. When they are separated by class and circumstance—Catherine marries the wealthy Edgar Linton—Heathcliff sets out on a path of cold-blooded revenge. The novel spans two generations, showing how Heathcliff's bitterness poisons everyone around him. It is a radical departure from the polite Victorian novels of its time, featuring characters who are cruel, selfish, and driven by raw emotion. It challenges the idea that love is always a force for good, suggesting it can also be a haunting and a possession.